Crocodile Dundee is a 1986 action comedy film set in the Australian Outback and in New York City. It stars Paul Hogan as the weathered Mick Dundee and American actress Linda Kozlowski as reporter Sue Charlton. Inspired by the true-life exploits of Rod Ansell, the film was made on a budget of under $10 million as a deliberate attempt to make a commercial Australian film that would appeal to a mainstream American audience, but proved to be a worldwide phenomenon.
Released on 30 April 1986 in Australia, and on 26 September in the United States, it was a critical and commercial success, grossing 238 million on a budget of 8.8 million, being the highest-grossing film of all time in Australia, the highest-grossing Australian film worldwide, the second-highest-grossing film in the United States in 1986, the highest-grossing non-US film at the US box office ever and the second-highest-grossing film worldwide for the year. There are two versions of the film: the Australian version, and an international version, which had much of the Australian slang replaced with more commonly understood terms, and was slightly shorter. As the first installment in the Crocodile Dundee film series, it was followed by two sequels: Crocodile Dundee II (1988) and Crocodile Dundee in Los Angeles (2001), although both films failed to match the critical success of the original.
At first, Sue finds Dundee less "legendary" than she had been led to believe, unimpressed by his pleasant-mannered but uncouth behaviour and clumsy advances towards her. She is later amazed when, in the Outback, she witnesses "Mick" (as Dundee is called) subduing a water buffalo, taking part in an Aboriginal (Pitjantjatjara) tribal dance ceremony, killing a snake with his bare hands, and scaring away the kangaroo shooters by tricking them into thinking one of the kangaroos is shooting back.
The next morning, offended by Mick's assertion that as a "" she is incapable of surviving the Outback alone, Sue goes out alone to prove him wrong but takes his rifle with her at his request. Mick follows her to make sure she is okay, but when she stops at a billabong to fill her canteen with water, she is attacked by a large crocodile and is rescued by Mick. Overcome with gratitude, Sue finds herself becoming attracted to him.
Sue invites Mick to return with her to New York City on the pretext of continuing the feature story. At first Wally scoffs at her suggestion, but he changes his mind when she tells him the newspaper would cover all expenses. Once in New York, Mick is perplexed by local behaviour and customs, but he uses his survival skills, ability to improvise, and innate common sense to good-humouredly overcome problematic or even dangerous situations including encounters with a pimp and attempted robberies. After this Sue realises her true feelings for him, and they kiss.
At a society dinner at her father's home in honour of Sue's safe return and of Mick's visit, Richard proposes marriage to Sue, and in a haze of confused emotions, she initially accepts in spite of Richard's having recently revealed his self-centered and insensitive "true colours" during a period of intoxication.
Mick, disheartened at Sue's engagement, decides to go "walkabout" around the United States, but Sue has a change of heart and, deciding not to marry Richard, follows Mick to a subway station. There, she cannot reach him through the crowd on the platform, but has members of the crowd relay her message to him, whereupon he climbs up to the rafters and walks to Sue on the heads and raised hands of the onlookers and kisses her, to the delight of the crowd, where they receive a round of applause.
The film's budget was raised through the 10BA tax concessions via Morgan Sharebrokers. Paul Hogan used his regular collaborators from TV, including John Cornell, Peter Faiman and Ken Shadie. Linda Kozlowski was imported to play the American reporter; Actors' Equity Australia objected to this but eventually relented.
Principal photography began on 13 July 1985. The first scenes were filmed in the small town of McKinlay in Queensland, where the hotel used has original warped and polished hardwood floors. Production decided to shoot in Kakadu National Park at the end of the dry season since crocodiles were less active in the filming locations. Areas such as Gunlom Falls, also known as the UDP Falls back in the 1980s, are also featured in the movie. The crocodile attack scene was filmed in Girraween Lagoon, just out of Darwin. Six weeks of filming were spent working out of Jaja, an abandoned uranium mining camp in Kakadu National Park in the Northern Territory with an additional week in Cloncurry. There was a further six weeks filming in New York City (including Newark Liberty International Airport, which serves the city). Filming wrapped on 11 October 1985."Production round-up", Cinema Papers, November 1985 p. 48
When the filming finished, Hogan said he expected it would make millions of dollars around the world. Hogan also said of the film: "I'm planning for it to be Australia's first proper movie. I don't think we've had one yet—not a real, general public, successful, entertaining movie".Baxter p29 Crocodile Dundee was offered to 20th Century Fox and Warner Bros. for North American release before Paramount picked it up for US$6 million.
Hogan defended The Encore Cut, arguing "it wasn't about being woke...it's better without those". Faiman possessed a mixed response, arguing that while re-edits to films are not unprecedented, "I think that screwing around with history, in the arts particularly, is not a good idea." The Encore Cut received criticism from some fans and media outlets, including The Sydney Morning Herald and Seven News.
Crocodile Dundee opened with a record A$2,047,026 in its first week in Australia. It went on to gross A$47,707,045 at the box office in Australia and was the highest-grossing film of all time there after 11 weeks, surpassing E.T. The Extra-Terrestrial. It was also the highest-grossing film of all time in New Zealand, with a gross of $5.1 million.
A number of minor changes were made to the film for its US release, where it was released theatrically by Paramount Pictures in September 1986. The film debuted at number one, grossing US$8 million in its opening weekend, and it remained at number one for nine weeks. It grossed US$174,803,506 at the U.S. and Canadian box office, being the second-highest-grossing film that year for both the studio and at the United States box office. Box Office Mojo estimates that the film sold over 46 million tickets in North America. The film was the highest-grossing non-American film at the US box office.
It opened in London and Dublin on 12 December 1986 and was the highest-grossing film to open at only one cinema in the West End of London where it grossed £163,990 in its first week at the Leicester Square Theatre, beating the house record. Similar to its performance in Australia, by its third week of release the film had broken its own record, increasing its gross at the Leicester Square Theatre to £173,053 for the week. Its three-week gross of £463,460 was the biggest ever for a cinema in the UK at the time. It opened nationwide in the UK on 9 January 1987 where it became number one nationally, where it stayed for eight weeks to become one of the highest-grossing films of all-time with a gross of £20 million. It was the highest-grossing film of all time in Ireland, with a gross of $2.8 million.
Roger Ebert gave the film 2 stars out of 4 and wrote: "All of the cliches are in the right places, most of the gags pay off and there are moments of real amusement as the Australian cowboy wanders around Manhattan as a naive sightseer. The problem is that there's not one moment of chemistry between the two stars: Paul Hogan as 'Crocodile' Dundee and Linda Kozlowski as the clever little rich girl. The movie feels curiously machine-made, as if they had all the right ingredients and simply forgot to add the animal magnetism". Nina Darnton of The New York Times thought that Paul Hogan was "delightful" in the title role, that the screenplay was "witty, with a fine sense of irony and the gift at poking fun at its own conceits", and that "Linda Kozlowski plays the reporter, Sue, very well", virtues which "go a long way toward compensating for the film's illogical plot and set-up situations".Darnton, Nina (26 September 1986). "Film: 'Crocodile Dundee'". The New York Times. C6. Variety stated that director Peter Faiman "has problems with the pacing and a script (by Hogan and longtime TV colleague Ken Shadie) that has its flat, dull spots. Hogan is comfortable enough playing the wry, irreverent, amiable Aussie that seems close to his own persona, and teams well with Kozlowski, who radiates lots of charm, style and spunk"."Film Reviews: Crocodile Dundee". Variety. 23 April 1986. 16. Dave Kehr of the Chicago Tribune gave the film 3 stars out of 4 and wrote: "Handsomely directed by Peter Faiman, the film punches most of the right buttons at most of the right times and emerges as an effective crowd-pleaser".Kehr, Dave (26 September 1986). "'Crocodile Dundee' says 'g'day' to Mr. Deeds". Chicago Tribune. Section 7, Page A. Paul Attanasio of The Washington Post said that the film "has a double 'fish out of water' structure—first she's the fish, then he's the fish—but the movie doesn't go anywhere with it, mostly because the characters are such nullities ... There's no drama in 'Crocodile Dundee' because there's no real conflict between these characters". Michael Wilmington of the Los Angeles Times wrote that the film "is nothing you can examine deeply or mull over afterward. It's simply an expert crowd-pleaser. It has such a sure, easy, confident touch that it's almost failure-proof—like a tip of the hat, a sip of beer, a quick, golden 'G'day'".Wilmington, Michael (25 September 1986). "Charm of 'Crocodile Dundee'". Los Angeles Times. Part VI, p. 1, 3. Monthly Film Bulletin called it "as dull and lumbering as its hero".
Although Crocodile Dundee was a hit both in Australia and abroad, it became controversial with some Australian critics and audiences who resented the image of Australians as being ocker. Robert Hughes complained in 2000 that to Americans " Crocodile Dundee is a work of social realism", giving them a Wild West' fantasy" about Australia. David Droga said in 2018, however, that "there has been no better ad for Australia than that movie".
The film became the first in the Crocodile Dundee series, with two sequels and a Super Bowl commercial.
A second sequel titled Crocodile Dundee in Los Angeles was released in 2001.
Critical response
Accolades
Academy Awards Best Original Screenplay John Cornell, Ken Shadie & Paul Hogan 1987>Oscars.org Writing Oscars® for "A Room with a View" and "Hannah and Her Sisters" – Oscars on YouTube BAFTA Awards Best Original Screenplay BAFTA Awards Best Actor Paul Hogan Golden Globe Awards Best Actor – Motion Picture Musical or Comedy Golden Globes Best Supporting Actress – Motion Picture Linda Kozlowski Best Motion Picture – Musical or Comedy John Cornell Saturn Awards Best Fantasy Film Academy of Science Fiction, Fantasy & Horror Films, USA (1987) – IMDb Best Writing John Cornell, Ken Shadie & Paul Hogan BMI Film & TV Award Best Music Peter Best Golden Screen Best Sold Tickets MPSE Awards Best Sound Editing – Foreign Feature Tim Chau
Sequels
External links
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